By Peter Caranicas. Photo: Jan Thijs. Source:

The producers of Relativity Media’s “Immortals,” which opened to a better-than-expected $32 million this past weekend, always intended for the film to be released in 3D. Once production got underway with Tarsem directing it was clear that with the exception of a small amount of footage the film would be shot on 2D and later be converted to the stereo medium.

Cinematographer Brendan Galvin – who’s also shooting Tarsem’s Snow White film “Mirror Mirror” – entrusted much of that task to a fellow d.p., David Stump, who has the credit of senior stereographer on the film. Galvin and Stump both talked to Variety’s Inside Production’s Peter Caranicas about the thinking that went into the shooting and conversion of the swords-and-sandals actioner.

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